english art

Jul 29

The Real and the Romantic: English Art Between Two World Wars by Frances Spalding (2022)

Simon

‘For the first time since the eighteenth century, England is making a real contribution to an international art.’ (Nicolete Gray, impresario of the 1936 Abstract and Concrete exhibition, 1936. But was it?) ‘The Real and the Romantic: English Art Between Two World Wars’ by Frances Spalding is a...

painting raymond williams art futurism photography history fascism architecture bauhaus photojournalism modernism design abstraction gerard manley hopkins mondrian etching d.h. lawrence anti-fascism political art frida kahlo british art women artists constructivism surrealism max ernst printmaking romanticism abstract art t.s. eliot fauvism landscape painting avant-garde second world war social realism african art new objectivity walter gropius somerset maugham wyndham lewis roger fry interwar britain aldous huxley john nash wood engraving raymond mortimer sophie brzeska gluck john armstrong tate britain henri gaudier-brzeska rodrigo moynihan cezanne rex whistler feminist art history picasso james boswell laura knight alfred wolmark claude rogers unit one keith vaughan keith piper dora carrington mayor gallery claude flight alfred wallis rock drill stanley spencer joseph southall euston road school andré breton war memorials barbara hepworth alexander rodchenko lill tschudi jacob epstein käthe kollwitz post-war culture bloomsbury group edward bawden giacometti eric ravilious christopher wood fernand leger gwen john george grosz algernon newton neo-romanticism nation's war paintings graham sutherland reginald brill misha black cultural conservatism london group william blake modernist landscape linocuts winifred nicholson giorgio de chirico documentary art geoffrey tibble jean hélion group x felicity ashbee myfanwy evans frances spalding mural painting british surrealism formalism great war grace pailthorpe spanish civil war barbara key-seymer john singer sargent john minton paule vézelay leonora carrington rené magritte leica camera english art emily dickinson dadaism remembrance communist artists interwar art graham bell wood engraving society gerald brockhurst wolfgang suschitzky herbert read international surrealist exhibition british empire charles sims charles cundall vorticism ben nicholson amedeo modigliani king george vi mass culture cultural history war art joan miro c.r.w. nevinson winifred knights samuel palmer tristram hillier robert colquhoun kandinsky john piper john tunnard frances hodgkins stanley william hayter cubism glyn philpot edward wadsworth duncan grant thames and hudson paul nash harold harvey british modernism mervyn peake abstract and concrete exhibition nicolete gray f.l. griggs victoria and albert museum ivon hitchens salvador dalí pearl binder l.s. lowry artists against fascism and war imperial war museum london art world wilfred owen el lissitzky marlow moss patrick heron pavel tchelitchew tomb of the unknown soldier matthew smith experimental art henry moore victor pasmore ceri richards cyril power brancusi michael ayrton john craxton first world war art criticism objective abstractions edward burra julian trevelyan robert macbryde the real and the romantic official war artists edith tudor-hart tirzah garwood cedric morris art historiography society of wood engravers william townsend art between the wars east london group cenotaph sybil andrews seven and five society jean arp ithell colquhoun clifford rowe poster art clive branson socialist art william coldstream xxi gallery concrete art slade art school post-impressionism evelyn dunbar significant form conservative art women's work exhibition