Tracey Emin: A Second Life @ Tate Modern
Simon
Warning: like the exhibition, this review includes swearwords and explicit imagery. This feels like a really important exhibition by a major artist. Installation view of Tracey Emin: A Second Life @ Tate Modern showing Room 4, a table of bronze sculptures in the middle, generally nudes, leading up...
cancer
sex
painting
motherhood
spirituality
art
autobiography
patriarchy
abortion
sculpture
london
exhibition
disability
feminism
christ
misogyny
tate modern
royal academy
sexism
redemption
contemporary painting
women's art
virgin mary
installation art
exorcism of the last painting i ever made
confessional art
galleri andreas brändström
my bed
female body
john berryman
arte povera
crucifixion
vulva
royal college of art
how it feels
body politics
toxic masculinity
i never asked to fall in love – you made me feel like this
there's a lot of money in chairs
contemporary sculpture
video art
nudity
the crucifixion
meet me in heaven i will wait for you
tracey emin: a second life
sensation
male gaze
feminist art
female sexuality
robert lowell
dyslexia
feeling pregnant ii
rape
stockholm
tracey emin
i needed you to love me
neon art
christian symbolism
women's health
autobiographical art
female experience
menstruation in art
why i never became a dancer
margate
self portraiture
sexual abuse
royal academy summer exhibition
jesus christ
young british artists
pregnancy
the life model goes mad
underage sex
working-class identity
the last of the gold
i will not be alone
hysterectomy
the abortion waiting room
text art
confession